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Gerard David
The Baptism of Christ
mk86
c.1505
Oil on wood
128x97cm
Bruges,Groeningemuseum
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Gerard David
The Deposition
mk29
1510-15
Oil on canvas
142.5x112.4cm
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Gerard David
The Virgin and Child with Saints and Donor
mk156
1505-10
Oil on oak panel
105.8x144.4cm
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Gerard David
Camon Bernardijn Salviati and Saints Martin,Bernardino and Donatian
mk170
1501-1505
Oil on oak
103.4x94.3cm
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Gerard David
The Adoration ofthe Kings
mk170
1515-1520
oil on oak
60x59.2cm
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Gerard David
Lamentation
mk170
1515-1520
Oil on oak
63x62.1cm
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Gerard David
THe Virgin and Child with Saints and Donor
mk170
circa 1510
Oil on oak
105.8x144.4cm
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Gerard David
Maria with child
mk186
1515 Brussel, Musees Royaux of the Beaux-type
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Gerard David
The wedding to canons
mk186
1500-03 Paris muse you Louvre
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Gerard David
Vila during the flight to Egypt
mk234
about 1510
44x45cm
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Gerard David
the judgment of cambyses
mk247
1498,oil on panel,71.75x125.5 in,182.5x318.5 cm,groeninge museum,bruges,belgium
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Gerard David
Annunciation from 1506
Annunciation from 1506, Metropolitan Museum of Art, New York
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Gerard David
Altarpiece of St Michael
Altarpiece of St Michael
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Gerard David
Deposition
Deposition
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Gerard David
The Judgment of Cambyses
The Judgment of Cambyses
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Gerard David
The Judgment of Cambyses2
The Judgment of Cambyses2
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Gerard David
Our Lady of the Fly,
Our Lady of the Fly, attributed to Gerard David and/or someone of the circle of Jan Mabuse, c. 1520; Isabella I of Castile is featured to the lower right, in a green dress.
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Gerard David
The marriage at Cana
The marriage at Cana
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Gerard David
Virgin and Child with Four Angels
Date ca. 1510-15
Medium Oil on wood
Dimensions Height: 63.2 cm (24.9 in). Width: 39.1 cm (15.4 in).
cjr
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Gerard David
Madonna and Child with the Milk Soup
Date ca. 1520(1520)
Medium Oil on oak
Dimensions Height: 35 cm (13.8 in). Width: 29 cm (11.4 in).
cjr
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| Gerard David
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b.c. 1460, Oudewater, Neth.
d.Aug. 13, 1523, Bruges
Flemish Gerard David Locations
Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.
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